How to communicate with maximum impact?
Neu-Ulm University of Applied Sciences
February 16, 2026
After completing this unit, you will be able to:
Share the leadership story you reflected on for homework.
Form groups of 4–5. Each student tells their leadership story to the group in 60 seconds.
Then vote for the story you liked best.
05:00
Prepare to perform for the plenary.
03:00
Groups: coach your storyteller. What could make the story even more compelling?
What elements did the most compelling stories have in common?
05:00
The most powerful person in the world is the storyteller.
The storyteller sets the vision, values and agenda of an entire generation that is to come. Steve Jobs
How will you inspire others to be part of your vision if you can’t communicate it?
Storytelling is a necessity of leadership.
I’ve learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel. Maya Angelou — American writer, poet, and civil rights activist
I’ve learned that the ability to articulate your story or that of your company is crucial in almost every phase of enterprise management. Guber (2007)
Examples:
For the leader, storytelling is action oriented—a force for turning dreams into goals and then into results. Guber (2007)
Great storytelling does not conflict with truth. In the business world and elsewhere, it is always built on the integrity of the story and its teller.
Guber (2007) distilled four kinds of truth found in an effective story:
How does the audience change the story?
Think about one message (e.g., “We need to invest in AI”):
05:00
Truth to the moment requires the behavioral complexity:
reading the situation and adjusting your approach accordingly.
A story that inspires during a product launch may fall flat during a crisis. A narrative of ambition works when the team is energized; a narrative of resilience works when the team is exhausted. The adaptive leader reads the moment and adjusts.
Aristotle argued that a good speech contains three types of persuasion
Ethos, pathos, logos
Behind really good stories is a well thought-out structure that forms the backbone of the story. This backbone, called the story elements, help writers develop great stories. The essential elements of a story are:
Characters
Setup or conflict
Sequence of events (plot)
Resolution
Ric Elias had a front-row seat on Flight 1549, the plane that crash-landed in the Hudson River in New York in January 2009. What went through his mind as the doomed plane went down?
Create and perform a story.
Imagine you work as an internal consultant at edding and you have developed a first-class innovation: a whiteboard marker that always works (built-in sensor that tells you when it is dry, a canister that makes recycling easier).
You have the opportunity to pitch the idea to the CEO and the board. You want to convince them to take a leap of faith.
Form teams of max. 2 students. Write your story using the narrative map structure. Be ready to perform it.
15:00
The IAP2 engagement spectrum (Unit 7) maps directly to communication strategies:
| Engagement level | Communication approach | Story emphasis |
|---|---|---|
| Inform | Clear, factual narrative | Logos-heavy — data, evidence, transparency |
| Consult | Story that invites response | Balanced — present the situation, ask for input |
| Involve | Narrative that creates ownership | Pathos + ethos — “This is our challenge” |
| Collaborate | Co-created story | Shared narrative — “Let’s write this story together” |
| Empower | Story that transfers agency | “This is your story to tell” |
Same story, three audiences — live.
Return to the edding marker pitch. Imagine you will pitch to different stakeholders:
What changes across versions? What stays the same?
08:00
Some advice on public speaking from David JP Phillips, who has spent 7 years studying 5000 speakers, amateurs and professionals.
Storytelling is itself a mental model — perhaps the most fundamental one for leaders.
It is how we make sense of complexity, communicate vision, and move people to action. Every model in your latticework becomes more powerful when you can tell its story — explain it clearly, connect it to lived experience, and inspire others to apply it.
Your latticework is now complete — for now. Remember Parrish’s counsel: learn, apply, reflect. This is a lifelong project. The compound interest of mental models accumulates over decades.
What will you take with you?
05:00
People will forget what you said, people will forget what you did, but people will never forget how you made them feel.
Maya Angelou